The battle of the comebacks
The idea of the "battle of the comebacks" appeals to me because it gives exposure to some groups and soloists who are not very popular and gives them a good comeback platform. Queendom has some of the greatest stage performances - AOA's rendition of Mamamoo's Egotistic is incredible, G-IDLE final stage 'Lion' is wow!If I based my review on the performances alone, I would rate this show a 9. But, knowing how biased Mnet's survival show voting system is, I can't rate it higher. It's frustrating to see some good performances being robbed of their deserved victory. It's obvious that fanbase size determines the winner. And the misleading editing will always be a bummer. Favoritism in Mnet shows is insufferable.
On a broader note, I recommend watching this if you enjoy music, dance, and performances. Seeing the contestants' level of production in each stage performance is very exciting.
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Not a bad adaptation
As someone who follows the anime, I think this movie accomplishes what Jigoku Shoujo ought to have. Although this version has better and darker plots than the 2006 series, there are a few key points that are missing, such as the tattoo and the boat scene, that make the movie slightly unsatisfactory. Overall, it's not a bad adaptation. Tamashiro Tina did a good job of delivering the similarity of the Enma Ai eerie vibe from the anime version. The supporting characters - Hone Onna, Ichimoku Ren, and Wanyoudo, could have more engaging plots than simply being the assistants with little dialogue.Was this review helpful to you?