Kota and Yoko have known each other for 17 years. They finally get married and Yoko becomes pregnant. During her pregnancy, Yoko feels ill and gets a checkup. She learns that she has terminal cancer. Yoko is able to give birth and they try to smile everyday until her very last day. After Yoko passes away, Kota focuses on writing their story via their blog. He drifts away from reality. One day, Yoko appears in front of Kota again. Edit Translation
- English
- Español
- Türkçe
- magyar / magyar nyelv
- Native Title: 夫婦フーフー日記
- Also Known As: Wedded Pair Diary , Fufu Nikki , Fufu Fufu Nikki
- Screenwriter: Hayashi Tamio
- Screenwriter & Director: Maeda Koji
- Genres: Comedy, Romance, Drama, Supernatural
Where to Watch Till Death Do Us What?
Free (sub)
Cast & Credits
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![Sasaki Kuranosuke in Till Death Do Us What? Japanese Movie (2015)]( "Sasaki Kuranosuke in Till Death Do Us What? Japanese Movie (2015)")
Sasaki Kuranosuke Main Role -
![Nagasaku Hiromi in Till Death Do Us What? Japanese Movie (2015)]( "Nagasaku Hiromi in Till Death Do Us What? Japanese Movie (2015)")
Nagasaku HiromiShimizu Yuko / "Yome"Main Role -
![Sato Hitomi in Till Death Do Us What? Japanese Movie (2015)]( "Sato Hitomi in Till Death Do Us What? Japanese Movie (2015)")
Sato HitomiEri [Yuko's bestfriend]Support Role -
![Takahashi Shuhei in Till Death Do Us What? Japanese Movie (2015)]( "Takahashi Shuhei in Till Death Do Us What? Japanese Movie (2015)")
Takahashi ShuheiGite [Yuko's younger brother]Support Role -
![Namiki Shiro in Till Death Do Us What? Japanese Movie (2015)]( "Namiki Shiro in Till Death Do Us What? Japanese Movie (2015)")
Namiki ShiroGift [Yuko's father]Support Role -
![Umezawa Masayo in Till Death Do Us What? Japanese Movie (2015)]( "Umezawa Masayo in Till Death Do Us What? Japanese Movie (2015)")
Umezawa MasayoGibo [Yuko's mother]Support Role
Photos
Reviews
A refreshingly light approach
The "FL with a terminal illness" trope is one that has been used (and sometimes, abused) over and over in Japanese cinematography, be it in movies or in dramas. It would therefore be quite understandable that viewers might feel a bit wary of the Nth tale featuring said trope. But if they were to shy away from this movie because of that, well, they'd make a terrible mistake, imho. This one is a fresh take on the old trope, graced by some nice writing, by a fantastic performance from both leads (Nagasaku Hiromi and Sasaki Kuranosuke), and last but not least, by a light approach on this tough topic which gives it a somehow original flavor.Was this review helpful to you?
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