It is all in the shades...
This is a morally ambiguous story about a naive man who moves to Hong Kong to seek a better life for himself and his girlfriend but finds himself changing as fast as the city and well... ends up taking all kinds of turns that may or may not give him and the girl a better life but also throw him on a journey of change, lust and falling in love with someone else than the girl he was supposed to seek a better life for.There is a strange realism to this story playing with shades of morality and taking us away from the one true love many seem to adore.
Our female lead is really fun, cool and great at speaking her mind while still showcasing some kind of voulnarabilaty and the ability to keep two ideas in her head at the sam time.
There are some interesting lines and schenes that show about relativity and change.
A pretty decent film
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Deservedly well respected Hong Kong classic, with extra meaning for fans of Thai series
This is the film which means so much to Jim in Moonlight Chicken and by inference to screenwriter/director P'Aof. So not just a great recommendation for a beautiful film but also a way to more fully understand his character's inner life and the significance of the song he used for the opening theme.Comrades doesn't disappoint. It's set in crowded urban environments but much of it is tightly focused, concentrating on two characters at a time. A conversation in a narrow hall at a party, in a car, the McDonald's queue. Its story isn't complex and, like Moonlight Chicken, has few events external to the key relationships. I first wrote that there's more pain in Comrades but that's not true. Moonlight surrounds all of its pain with so much love while Comrades is far lonelier. Its main characters become close because they're all they have in this city.
The film is calm, gentle, and quietly poignant. It takes its time and it's well worth some of ours.
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