Falls slightly outside my personal preferences

GMMTV's production quality shines through in the cinematography and colour grading of the series, but the plot falls short with its simplistic and predictable nature. The clear-cut plotlines introduced separately result in a lack of anticipation and cohesion, making it difficult to fully immerse yourself in the story.
While the main couple shows some good chemistry, their story lacks depth and substance, hindering true emotional investment in their relationship. The cringey moments of the second couple overshadow any potential for genuine connection, while the initial charm of the third couple quickly fades.
The show's Japanese origin is noticable in many unrealistic scenes that detract from the viewing experience, and despite the interesting concept of mind reading, the story fails to fully capitalize on this unique element.
Although the twist of both Karan and Achi proposing simultaneously was a refreshing moment, the unnecessary wedding theme added to the overall feeling of a lackluster conclusion for each couple. With the second couple getting engaged and the third couple starting to officially date, the series felt more like a checklist of obligatory relationship resolutions rather than natural progressions. Overall, the final episodes of the series felt like a chore to get through.

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Ambitious but flawed

Things I liked:
- The cinematography and production had a refreshing and unique feel
- The atmosphere and setting convincingly transported me to a different time
- The music was enjoyable and added to the overall experience
- The acting from everyone, especially the main leads, was impressive
- There was great chemistry between the main and lesbian couples
- Ming, Jom's best friend, was a likable character and a true friend

Things I disliked:
1. The story/plot:
- There were several r*pe scenes involving the abusive husband that made me uncomfortable, and I found them unnecessary. His unlikable traits were already evident, and these scenes hindered the overall enjoyment of the show. Including such scenes made it difficult for me to consider this as a series I would like to rewatch
- I felt that the handling of the lesbian couple's pregnancy could have been improved. It would have been interesting to explore various ways they could have dealt with it, such as gradually coming to terms with it and planning to raise the child together. Alternatively, introducing a miscarriage could have added drama and allowed for emotional growth. However, the decision to include an abortion seemed abrupt and unresolved
- The ending left me confused and unsatisfied. The sudden appearance of Yai in the present was unexplained, and it felt lazy. If he was reincarnated, it would have been helpful to understand why he retained his memories and why it took so long for him to come. The portrayal of reincarnated characters with the same bodies also seemed unrealistic

2. The characters:
- The large number of characters introduced was overwhelming, and it was difficult to remember everyone's names even until the last episode. Many of these characters didn't contribute significantly to the story and could have been omitted
- The two main leads often seemed solely focused on their romantic relationship, especially after becoming boyfriends. They were constantly displaying affection, which became repetitive and monotonous. It would have been refreshing to see them engage in activities without constantly staring into each other's eyes and feeling attracted
- I didn't feel like I got to know the main leads as individuals. It's important to connect with the characters on their own in my opinion, rather than solely through their romantic relationship. There were only limited moments where they interacted with others, and Jom's character, in particular, felt underdeveloped and bland. Additionally, their lack of discretion in public scenes was frustrating and unrealistic
- While the presence of a queer character at the bar was a positive representation, I personally didn't resonate with the character. Particularly, during the scene where they were invited to expose the abusive husband, their laughter reminded me more of a witch, which didn't sit well with me. Overall, I wasn't a big fan of this particular character

3. Other:
- The pacing of the series was too slow for my liking. I found myself longing for action, new locations, and a faster tempo. Feeling the need to check how much is left to watch is never a good sign
- I personally thought that Jom's haircut could have been styled better to enhance the actor's appearance

Overall, while I recognize the potential of the series, I found the execution lacking and hope to see the main leads in another series with a stronger script in the future.

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A disappointing and wasted potential

This had so much potential to be a captivating enemies-to-lovers series, which I was very excited about. The pilot trailer showed great promise, and although the official trailer didn't quite live up to that excitement, I remained hopeful. However, the final product turned out to be a disappointment.
Initially, Sailom was likable due to his clever and witty attitude, but as the show progressed, he became increasingly dull. Kanghan, who was supposed to be a little mean, turned out to be a full-on bully. He even resorted to spreading rumors about Sailom being a p*dophile with the intention of getting him fired from his job.
I had hoped to see a gradual transformation and reflection from him, but that was not the case: The show attempted to portray Kanghan as someone with a good heart all along, whose rebellious behavior stemmed from his father's neglect. However, the overnight 180-degree change in his character to become the nicest and friendliest guy was highly unrealistic. Moreover, the relationship problems with his father were needlessly prolonged, almost turning his father into one of the main characters.
The initial chemistry between the two main leads was promising, but once they officially became a couple, the romance quickly lost its spark. It became apparent that Sailom's actor struggled with intimate scenes, resulting in uncomfortable and awkward moments for the viewers. Their bond began to feel more like a friendship, leaving every romantic scene unbearable to watch.
Furthermore, the plot was lazily written and lacked depth, failing to meet even the most basic expectations. It felt superficial and failed to delve into meaningful storytelling.
In conclusion, this series was a tremendous waste of its initial potential. Sailom's actor is not inherently bad, but his lack of versatility in romantic roles became clear, suggesting that he should focus on non-romantic roles in the future. On the other hand, Kanghan's actor truly carried the show and gave a commendable performance.

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Nothing compares to this masterpiece

"It is only with the heart that one can see rightly; what is essential is invisible to the eye." (Episode 1/The Little Prince, Chapter 21)
From the very first episode, I knew that this would become my new favorite series. It is one of the few shows that possess the ability to bring me to tears.

Let's talk about the characters.
Despite his past in prison, Mhok is one of the most genuine and caring individuals I have ever seen on screen. He manages to conceal his emotions behind a tough exterior, while simultaneously embodying a protective and affectionate nature towards Day. Mhok's attention to every little detail and his immense respect for Day are truly remarkable.
Speaking of Day, the blind character could have easily fallen into the shy and helpless stereotype, but he defies all expectations. While there are moments where Mhok comes to his rescue, they are so endearing that I thoroughly enjoyed them. Day's character is complex, filled with humor, self-confidence and foul-mouthed wittiness. He enjoys teasing Mhok just as much as Mhok enjoyed teasing him.

In addition to portraying their romance, the narrative goes deeper into the individual journeys of both Mhok and Day, shedding light on their personal struggles and hardships. This allows viewers to establish genuine connections with these characters on a profound level.
I also appreciated that despite the numerous romantic moments, Mhok and Day's unique dynamic and playful banter remained consistent, resulting in a refreshing on-screen chemistry.

And then, as if it was not enough to love both main leads, the writers somehow managed to portray every single character with such depth and authenticity. Even those with minimal screen time feel genuine and relatable, with their own lives and backgrounds. They are not reduced to stereotypes but rather fully fleshed out individuals.

Both actors deserve numerous awards for their performances. Sea's portrayal of a blind man was flawless and deeply moving, he portrayed Day's blindness with astounding realism and naturalness; there was never a moment of doubt. Jimmy's performance was equally impressive, particularly his ability to convey emotions through his eyes. The way Mhok gazes at Day is breathtakingly beautiful and heart-wrenching at the same time.
Their on-screen chemistry is simply mind-blowing, and even the smallest gestures, like rubbing someone's hand or having them smell a flower are turned into the most romantic moments through their magic.
The chemistry between the second couple, Night and Phojai, is also adorable and adds an additional source of enjoyment.

The music in the romantic scenes enhances the beauty and emotion, making them even more memorable. The camera work is also outstanding, capturing facial expressions and small details at the perfect moments without going overboard.

Although the story may be simple and unfold at a slower pace, it undeniably works in its favor. The theme of a blind character adds intrigue, and it is explored in a well-executed manner. I also appreciated how new plot elements were introduced and skillfully interwoven throughout the narrative.
The attention to detail displayed in this series is truly commendable. From the carefully designed prints on the characters' shirts to the symbolic and metaphorical use of elements such as sunflowers, goldfish, the Last Twilight book, and even the band-aid on Rung's car, each element adds depth and a richer meaning to the story. Exceptional writing is evident not only in the development of the characters but also in the overall plot itself.

This series beautifully portrays love in its most profound and unconditional form. It emphasizes that true love knows no boundaries, surpassing limitations such as blindness, wealth, gender, or the constraints of societal judgement. Day doesn't judge Mhok for his past in prison, and Mhok treats Day no differently because of his blindness. This theme of unconditional love even extends to the second couple as well.

In summary, this might be the best drama I have ever watched. It surpasses not only the best BL or Thai series but also any drama in general. The story is touching, but not too heavy, striking the perfect balance between depth and lightness. The chemistry and acting are superb, and as a viewer, be prepared to experience a range of emotions. If I could, I would give more than 10 points. This series exceeded all my expectations and more.

Thank you, P'Aof, you're a wizard

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An unfulfilled potential

Things I liked:
- I really enjoyed the acting and chemistry between the two main characters
- Charn's fake smile was a highlight for me

Things I didn't like:
- Unfortunately, the other characters felt shallow and the actor's performances were not up to par, especially the exaggerated portrayal of the villainous politician, Charn's ex-boyfriend, and the overly made-up aunt
- The plot felt illogical and superficial, and it seemed like the murder case could have been resolved in just half of the episodes. It was simply a matter of finding out it wasn't the son's fault, discovering the existence of the doll, locating the doll, and then the final confrontation scene
- The cinematography left much to be desired, with choppy scenes and inadequate special effects and editing. The "explosion" scene was particularly laughable
- Additionally, the romance between the rich boy and his bodyguard felt slow and ultimately pointless. It could have been omitted entirely
- The sudden and drastic change in the characters of the rich boy and Charn felt jarring. While I understand they behaved differently in the past, the transformation seemed too abrupt
- The intimate scene between the main couple was oddly directed, leaving me confused about the purpose of most shots
- The series attempted to blend too many genres together, but unfortunately failed to succeed. The humor bits felt out of place and tone-deaf to the overall tone of the series. For example, including a funny scene immediately after Thin mourning the death of his niece seemed inappropriate
- I didn't appreciate the implication that Charn may have been involved in the murder of the villainous politician, only for it to never be addressed again. If true, it would make him a murderer as well, which raises some serious ethical concerns
- The inclusion of a lecture on same-sex marriage laws in the last episode felt preachy and disrupted the overall flow of the series. While I agree with the message, it felt forced and intended to influence the audience
- The depiction of the "marriage" itself was underwhelming, with the main characters simply kissing/hugging the grandma and exchanging rings in a room filled with a handful of people. It felt like a parody of a wedding. Furthermore, the decision to include a marriage after just 8 action and murder-filled episodes felt rushed and didn't fit well within the storyline
- I couldn't help but notice that the actress playing the grandma seemed to have excessive filler in her face, which made her eyes nearly disappear when she smiled

Overall, the potential of the two main characters was not fully utilized in this series, and I hope the actors have the opportunity to work on a better project in the future.

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A mix of opinions

My thoughts on this series are quite divided. The ForceBook couple failed to capture my interest as there was no chemistry between them. Force's character Top, in particular, came across as unlikeable, while Book's seemed rather dull and uninteresting, even during his unhinged phase.
On the other hand, I found myself oddly drawn to the toxic chemistry of BostonNick, played by Neo and Mark. Although their relationship was far from healthy, I couldn't help but secretly root for them.
As always, FirstKhaotung stole the show for me. Their acting skills and undeniable chemistry were on another level. The emotional scenes they portrayed were exceptionally well-done, with the intense fight resulting from Sand being paid by Ray's dad being one of the best acting scenes I have ever watched. I was always excited to see them on screen. Unfortunately, my enjoyment was marred by the presence of the annoying ex in the final episodes. Their decision to both kiss him felt utterly repulsive and ruined the enjoyment of Sandray as a couple for me.
As expected, there were numerous NC scenes, but most of them were rushed and forgettable, with the exception of the ones involving FirstKhaotung.
What really captivated me about this series was the exploration of the characters' moral ambiguity. At first, it seemed clear who the good and bad guys were in the group. However, as the story progressed, more complexities were revealed. This series truly excelled in portraying a multitude of grey characters, which is something I genuinely appreciate.

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