The One True King.
This drama packs a powerful punch from the very first episode with frighteningly intense fight scenes that had me flinching at every viciously lethal sword stroke throughout. The dark and intriguing wuxia plot is like an addictive, multi-dimensional jigsaw puzzle that brilliantly seduces with a mysterious backstory and shadowy motives of the key actors. This is a very intelligently written drama that will appeal to engaged viewers who enjoy pulling at threads until all is revealed.Be warned - there may be mild spoilers ahead although I will steer clear of major spoilers.
Wen Siyuan, the suzerain of the information broker Shanshui sect is tasked by a gifted itinerant doctor Zuo Qingci to help recover a stolen defense map that was entrusted to marquis Yan. They enlist master thief Su Yunluo/Fei Kouer and the two top disciples of the powerful Zhengyang sect (Yin Changge and Chen Manqing) to aid them in this dangerous quest. It turns out to be a bonding adventure for them that results in a friendship and trust that can prevail over existing loyalties and conflicting agendas. It also drags them into a battle for the throne and reveals secrets relating to a decade old conspiracy involving their elders.
From the start, that GOT callousness of characters dying at the roll of a dice probably made me protect my heart from caring too much about any of the main characters or couples. My favorite characters are the more peripheral ones - the Ghost Boy and the One True King. All of the characters in this drama are flawed and make mistakes. While Qingci and Yunluo are clearly the leads, there are many important, well developed and well acted roles. Our leads are both single minded to the point of obsession in their goals; Yunluo in a decade long quest to heal her shifu and Qingci initially with Yunluo and later on, with revenge. While I did not enjoy the obligatory angst, the overall progression of this relationship from an unhealthy adolescent infatuation to a mature and sustainable one was well done. Both young actors are charismatic and convincing but it is Zhou Tingwei's enigmatic Wen Siyuan that steals my heart and anchors the entire cast. Romance is not this drama's strongest point but the one between Siyuan and Manqing is sophisticated, witty and laced with just the right amount of spice to make the sparks really fly. The women are strong and independent and have their own agendas that can be higher priorities than love so they don't just meekly fall in with their men's plans. Best of all, they don't bore me with any high pitched squealing. The bro-mance between Changge and Zhuyuan is also very enjoyable although I don't love where the the story goes for both characters.
The real hook of this largely plot driven drama besides the satisfyingly bloodthirsty action is discovering hidden identities, motives and secrets, understanding Qingci's ruthless strategies and his end game and how he adapts when things don't go completely to plan. Which happens A LOT. Because the villains are just that cunning and that much more powerful that sometimes they win. The way tension and suspense is built in this drama is really masterful but can induce stress. The story is brilliantly written but unfortunately flaws and plot holes emerge towards the end. The first arc is really exceptional on all fronts but the excitement and ruthless brutality peaks there although the story continues to be absolutely riveting. From ~ episode 30, the story succumbs to crowd pleasing but unnecessary romantic tropes, some gratuitous deaths and imminent tragedies. While it builds to another climax the ending was only just satisfactory and did not meet my admittedly high expectations. There were too many holes and they unnecessarily wrote themselves into a certain outcome that they did not dare to follow through on with the same characteristic cruelty of the earlier arcs. I am left wondering if their quest was ultimately futile and if the high cost of revenge can be considered justice. To me, the true unsung hero of this story is the One True King who is willing to sacrifice for peace but is not king in name. This is the character that moved me the most. Does the legend of such a noble king make this a very dark wuxia or one that is bathed in bright light?
This is the most awesome wuxia of 2020, flaws and all. I initially considered it a 9.0 due to my high personal enjoyment but objectively 8.5 is more than fair given the messy ending.
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The Legend of Hei Feng-Bai Xi
Truth be told, Who Rules The World (WRTW) wasn’t on the top of my list for highly anticipated dramas for 2022. But you know what? It turned out to be one of the most entertaining dramas I’ve seen for the year. Certain characters in the show even made their way into my list of all-time favourite C-historical characters as well. I’m pleased to say that WRTW has not disappointed and in fact went beyond any initial expectation I may have had going into it.WRTW is equal parts traditional wuxia, grandiose palace politics, epic warfare and romantic love that are interwoven seamlessly to create an immersive tapestry of a vivid jianghu that transcends the boundaries of the 7 kingdoms. It revolves around the relationship between two renowned martial artists, Hei Feng Xi and Bai Feng Xi, as they navigate the treacherous world of ancient politics and pugilistic rivalries teeming with characters who are hell bent on ruling the world.
The story is based on the bestselling 2007 novel Qie Shi Tian Xia (且试天下) aka Let’s Try the World which was written by prolific period-romance novelist, Qing Ling Yue (倾泠月). The production team comprises directors Yin Tao (Love and Redemption, Ancient Love Poetry, Under the Power), Yu Yonggang (Novoland: Pearl Eclipse) as well as action director/ choreographer Shi Zhanli (The Promise of Chang’an, Under the Power, Listening Snow Tower, Love and Redemption, The Legend of White Snake). Principal photography took place at Hengdian World Studios from February to June 2021. Interestingly this drama was released concurrently on WeTV international and Netflix for global audiences.
A total of 5 songs are listed in the soundtrack of the production. Liu Yuning sings the inspiring opening theme while Lai Meiyun and Tan Wei Wei contribute moving love ballads.
无双 Unparalleled – 刘宇宁 Liu YuNing
风息 Breath Of Wind – 胡彦斌 / 叶炫清 Hu YanBin / Ye XuanQing
一梦浮生 Dreams Come True – 汪苏泷 Silence Wang
孤注 Gu Zhu – 谭维维 Tan Wei Wei
如梦 Like A Dream – 赖美云 Lai MeiYun
This production has been plagued by some controversies in that the main director was purported to have left the project about halfway through filming for reasons that were not made known publicly. Additionally certain elements of the plot, whether the screenplay or the source material itself, had been accused of plagiarism. Likewise some scenes were cited to be reminiscent of other dramas. Having not read the source material for this drama, or most other dramas for that matter, and without seeing particular shows from which their scenes had been reputedly copied, fortunately my personal viewing enjoyment was not affected by the allegations in any way.
What I Liked
The elements of wuxia, politics and warfare are beautifully crafted into a memorable tale of chivalry, heroism and love amidst an extensively conceived worldbuilding of a fictional universe. Perhaps WRTW does not reach the quality levels of Nirvana in Fire, the gold standard in this multigenre, but it certainly comes close. How often do we come across productions that attempt to cover such an extensive scope without faltering miserably or, at the very least, evoke some form of endearing connection and entertainment value?
In terms of wuxia, this is one of the best for me. The variety of martial arts prowess on display as well as depiction of the jianghu with its associated clans, sects, dark arts and, of course, the chivalric values of brotherhood, heroism, and valour are all expertly embedded into this pugilistic premise. Absolutely no complaints from me in this department.
While initially lacking and slow-moving due to the uneven pacing and multitude of character introductions, the politics of the palace and the world began to exert more control over the narrative up until the finale. This is especially so once the main players have been established and viewers are able to focus exclusively on their schemes and machinations that eventually culminate in all-out confrontations and large scale warfare among them. In some ways, the overall concept and worldbuilding remind me somewhat of Game of Thrones with the premise based on various factions fighting for supremacy and dominion over the world.
Ultimately the one aspect of the story that impresses me the most is the romance. One of the most wholesome and charming love stories that I’ve ever come across in a C-historical. It helps immensely that both leads are extremely likeable both in real life and in the depiction of their respective characters here. No silly misunderstandings, childish petulance, toxic vibes whatsoever. Just as it should be between two heroic jianghu protagonists amidst countless adorable and lovely moments indeed.
As far as the technical execution is concerned, for me the positive takeaways would be the production design which maximises the gorgeous features of Hengdian World Studios in both the opulent indoor sets and lush greenery of the outdoor shooting scenes. Cinematography, choreography and special effects are quite decent, for the most part. I’m thankful that the fight scenes in particular are presented on point without the jittery camerawork and overreliance on slow-motion, repeat cuts or fast cut editing.
The martial arts choreography is simply stunning and showcases some of the most spectacular wire-works (wire-fu) in recent memory. It might appear a bit much to some but personally I love it. Also worth mentioning is the battle scenes between large armies towards the tail end of the show. Despite being mostly CGI, the end result is reasonably rendered and, most importantly, not substituted with animation or even skipped over but is shown in its entirety.
With regards to the cast and their respective characterizations, WRTW wouldn’t be the same without the leads, Yang Yang and Zhao Lu Si. The stellar supporting cast particularly Xuan Lu, Lai Yi, Zhang Feng Yi, Lee Wai Han, Zong Feng Yan and Wang De Shun provide a memorable account of themselves in making this production work as well.
I know that Yang Yang has drawn some flak for his performances in the past but having seen him in the recently concluded Glory of the Special Forces where he delivered possibly his best work to-date, I think he deserves more credit than he’s given. The role of Hei Feng Xi / Feng Lan Xi suits him very much indeed. He has this ability to blend intensity and seriousness with warmth and tenderness as well as a dash of charm and sophistication, which adds depth to his version of the brooding, intelligent and lonely hero of this story.
The same goes for Zhao Lu Si who, despite her expertise in rom-coms, is actually quite versatile and here she showcases some range as well as a more serious side. She still has that comedic timing but as the carefree Bai Feng Xi and the more regal Feng Xi Yun, we get to experience different facets to her characters. The biggest draw in the show is obviously their romance. Whether as royalty or jianghu pugilists, the chemistry between the two absolutely sizzles to set the screen aflame. I cannot imagine anyone else embodying the roles of “Hei Feng- Bai Xi of the rivers and lakes” as well as they have done.
Amongst the supporting characters, my personal favourite include Xuan Lu’s Feng Qi Wu who shares a strong bond with Bai Feng Xi where at one point I was actually shipping them as a lovable GL pairing. It’s refreshing to observe a healthy friendship between two female characters for a change instead of the usual destructive rivalry for affections. Lai Yi’s Huang Chao is another strong character that’s worthy of mention. His connection to the leads prove intriguing where despite no love lost between them, they continue to regard one another with mutual admiration and respect.
What Fell Short
I think the transition of directors midway through production possibly caused a discernible change in the quality of direction and editing during the second half of the show. This in turn affected the flow of the storytelling because certain scenes feel somewhat disconnected while the last 8 or so episodes are a little rushed. That said, most C-historicals tend to sprint towards the finishing line with a flurry of events and activities within the final few episodes, although this could be attributed to censorship-induced post-production editing.
For obvious reasons, most of the focus is on Yong-zhou and Qing-zhou, two of the 7 kingdoms in the story. There are some highlights of Ji-zhou and You-zhou, and the initial spotlight on Dong Empire, the ruling kingdom and the seat of power itself. I would have liked to see more backstory or development in the lesser mentioned kingdoms as well as the other mysterious sects of the jianghu. At 40 episodes, it’s near impossible to fit everything and everyone, which is unfortunate as some of the minor side stories and subplots actually appear interesting and thus worth exploring.
Because of the rushed nature of the final arc, the potential for the main villain’s origins and motivations are largely glossed over in favour of the ultimate showdown. I think this dimension of the antagonist’s profile deserves at least a couple of episodes to allow the gravity of his villainy to sink in with viewers.
The FL’s identity reveal is a bit of a letdown personally for me. It should have been more sensational and shocking to everyone involved but it turned out to be a lowkey affair after all.
I feel the need to rant on one of the martial arts clans, the Tianshuang Sect. I’m not sure how they are written in the original novel or if it is meant to be a running joke but the members of that sect, along with their leader/elder/founder, are quite laughable indeed. Without spoiling, let’s just say that these folks are better off managing a zen spa or soup kitchen rather than actively attempting to partake in conspiratorial activities.
Final Thoughts
WRTW ranks amongst the better recent releases of C-historicals and wuxia productions. It hasn’t reached the gold standard that is NiF but is somewhere slightly lower, perhaps at a similar level to The Long Ballad. Objectively it’s an 8.5 but for the sheer enjoyment factor and memorable performances of the leads, I’m bumping this up to 9. This is recommended viewing for fans of the genre.
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Shining as Each Other's Light
Love Like The Galaxy (星汉灿烂) is adapted from the novel of the same name (星汉灿烂, 幸甚至哉). Love Like The Galaxy narrative revolves around Cheng Shaoshang, daughter of the Cheng family, who was left by her parents when she was a baby; and Ling Buyi, a general who’ trying to unfold the conspiracy behind what happened in the past. The drama narrative then starts years later, during the return of her parents.Love Like The Galaxy storytelling is executed nearly to perfection; the story unfolds at a casual pace, with a gradual development of the characters, unravelling their background story and relationships. The drama also has an interesting storyline with a really well-conceived and realistically written character, every character is multi-faceted and complex, with their own background story. It also has a lot of interesting characters and relationship dynamics; their relationship dynamic is realistically and convincingly portrayed.
The first 10 episodes of the drama started off with a hint of comedic and light-hearted note, which is really pleasing. I absolutely adore the comedic elements in the drama with the storytelling approach. The drama's comedic elements are not forced nor cheap, it is genuinely light-hearted and funny, and I adore how they use wordplay. I especially love how Shaoshang is always on her wits to fight back against others who bully her or people around her. The first 10 episode shows Shaoshang's family dynamic, her relationship with her mother, father, brothers, and more. Some scenes were really heartbreaking to see but also heartwarming at the same time. Moving on, the drama gradually shows Shoashang’s growth, how she learns to rely on herself, find love and more. There are happiness, sadness, anger, disappointment and all.
It is comforting to see a drama that focuses on the family dynamics, not all on romance. I personally love how the romance between Ling Buyi and Cheng Shaoshang is taking time, instead of both of them falling in love at first sight. We can gradually see how Shaoshang starts to develop feelings for Ling Buyi because of his gesture and actions, which is more realistic. Though they have very different personalities, it is very pleasant to see how they learn to love, learn to grow up and face problems around them; they are made for each other.
The drama is directed by Fei Zhenxiang, who is known for directing Candle in The Tomb series. This drama is his first time directing a historical drama and he did a really remarkable job. He is able to show his unique and distinct style, and deliver the picture he has in mind. Also because of his experience in tomb raiding dramas, he is able to portray those bloody scenes really well.
Love Like The Galaxy also has really impressive cinematography and sets, it has beautiful wide shots, immersive tracking shots, and many more pretty shots. For now, I especially love the one-long take on episode 7 and the lantern festival shots! The shot is really fluid and immersive. Moreover, the cinematography and colour grading really reflected every atmosphere and situation, it will leave a deep impression on the audience. Through the cinematography and set, you can see that this drama has a big budget and it is allocated well. The fire during the lantern festival is not created using CGI, it is real, the production team spent 3 days creating a new building and for it to be burned down.
The characterizations of each role in the drama are immensely elevated by the excellent acting of Zhao Lusi and Wu Lei. They deliver such an in-depth and rich character arc, with a myriad of emotional expressions. Both of the actors are able to convey their emotions through micro expression and the way they articulate every scene is really praiseworthy. They have small actions that reflect their emotion, for instance, how Ling Buyi’s eyebrow slightly raised when he saw Shaoshang; and how Shaoshang looks away when she saw her mother being close to her cousin instead of her.
The character, Cheng Shaoshang was stellarly portrayed by Zhao Lusi. She did a very good job, it is unimaginable that others can pull off Shaoshang’s character in such a compelling way. Through this drama, she also manages to show everyone that she can also play dramas other than tianchongs drama. She manages to show the character’s sincerity, but also complex and intriguing at the same time, not compromising on what the character experienced. Zhao Lusi manages to infuse her character with kindness and righteousness, also with a sense of pragmatism. Throughout the drama, she also was able to portray layers of Shaoshang; Shaoshang’s facade of being ignorant and unruly but also her fragility and her longing to be loved by her family. Zhao Lusi also uses her own voice here, I love how she has this milky and soft voice that is really soothing! But also, because of her milky voice, some part with heavier elements makes falls short, due to her lack of emotional line delivery.
Wu Lei also did a very notable job! Seeing him in the drama, really makes me feel that he has really grown up, he is no longer the kid in Nirvana in Fire. Ling Buyi is a hard role to play since he has a cold and indifferent exterior, but at the same time he is also complicated, he is sincere and sinister at the same time. But Wu Lei managed to execute it to perfection with his articulation, bearing, stance, and his micro-expressions. He especially displays a remarkable line delivery, which shows Ling Buyi’s authority. Some might dislike how he only has this one expression throughout the drama, but I love it. Because you will gradually see how his character starts changing, how he began to smile more because of Shaoshang’s presence.
Love Like The Galaxy also has enchanting music scoring and realistic yet sweet lines. The drama has bold music scoring with traditional Chinese instruments that match every situation so well. The diegetic and non-diegetic sound is very fitting to every situation. Moreover, the dialogues in the drama are also very realistic. Though realistic, it still didn’t take away its romantic essence of it.
The drama also has some very interesting detail, such as:
1. Ep 11: Yuan Shen broke the shaoshang string while he was playing the guqin, foreshadowing that he’ll not end up with Shaoshang.
2. Ep 12: Shaoshang used a shaoshang string to save Ling Buyi. The string was drenched in blood, which also becomes a red string, connection to 月老, god of love
3. Shaoshang and her fiancées carriage detail:
- Luo Yao-open cart. He won’t be able to go through wind and rain (difficulties)
- Yuan Shen-carriage. He sat in main seat (self centered)
- Ling Buyi-big stable carriage. SS sat in main seat, he sat on side guarding her.
4. Ling Buyi is often framed in a wide shot and positioned in a high place. Showing that he has high and influential power, but also makes him look lonely. And It was only after he met Shaoshang, that those wide high angle shots gradually lessens.
Love Like The Galaxy is considered to release early, they released the drama and also working on the post-production at the same time. LLTG team still did a notable job in editing, but I can’t help to notice that in the latter episodes the CG was not as good and as smooth as in the beginning episodes.
All in all, do give this drama a try! After watching the first two episodes of the drama, you'll find yourself wanting more. The drama visuals, story, and emotion will pull you in deep. And every episode keeps on getting better and better, with unexpected comedic and heartbreaking twists and turns. You would find yourself watching back some of the clips just to appreciate the dialogue and actions.
P.s. I also love how they especially edit their trailer, unlike other drama where they just edit a 1-minute scene of the next episode, LLTG team especially meticulously edit their trailer, leaving the audience to guess and interprets what is going to happen in the next upcoming episode.
“Might as well expect less from others, and be better to yourself. You’ll live more comfortably.”
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Story: [9/10] I really liked the concept of a medical mystery. As it really adds another layer to what may be a typical medical show. You are seeing the doctors take care of patients in a stressful situation as in most other medical dramas. At the same time you have a group of murders going on that continues to keep you curious. These murders add a layer of complexity to the drama. The surgeries and the mystery together pretty much keeps you on the edge of your seat for most of the drama. The main characters are also very well written. The characters do not stay flat and act the same the whole time. The characters learn from the events in the series and some of them grow more as a person. I didn't give this show a 10 for two reasons. The first is because the shows pace ended up being sped up because of 2 episodes getting axed. I feel like the extra episodes could have answered a lot more questions and made the show and the pacing better. The second reason is because I feel like the ending was slightly flat. The show had so much action that each and every single episode (okay maybe not every single one) seemed like the climax. However at the same time, it also made me feel like the ending didn't have much as an impact as I would see in other endings. Hence I couldn't really give it a 10 for the story. Of course that's just my own opinion though. Although I did give the show a 9 for being very action-packed and having good character development.
Acting/Cast: [8.5/10] There's nothing much that I can say about the acting and cast. For the most part no one really stood out to me other the Dr. Lee Yeong Oh. I thought that his acting was really good and that he portrayed his character really well.
Music: [8.5/10] Music is pretty likable. It uses an array of different tunes for different situations.
Overall I recommend you watch the series. This season was very good in general. Beautiful Mind was definitely the dark horse of this season and it ended up proving that it was worth my time. It was a 14 hour well spent :)! I suggest you watch it too if you haven't already.
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In the first two episodes alone there was cute singing, face slapping, sexy times, and a hit and run that turned into a murder. The crazy doesn’t end there though…it just keeps going and going. At one point a character does a work out montage and emerges as…a whole different actor. No wonder no one recognizes him. People die…but then turn out to have faked their death or have been put in a mental institution. It is just a bucket full of delightful craziness.
The very best part of this drama though, is the Emperor. Shin Sung Rok is a remarkable actor. I came to this drama for Jang Na Ra and Choi Jin Hyuk together again. I loved them in Fated to Love You and was so excited to see them both as leads in the same drama. But to be honest, I can understand why some people are not loving them in this drama. Choi Jin Hyuk’s character is as dry as burnt toast. But I really don’t think the actor is to blame for that. However, the Emperor could have easily been a horrible character if it had been played by anyone else. If you were just blindly reading the script, you would hate his character. But because of Shin Sung Rok’s skills and his facial expressions, you come to care for this admittedly horrible murderer. Like he has murdered multiple people and doesn’t even think he was wrong in doing it, and still you find yourself saying…he isn’t THAT bad… To be fair at least two of the people he murdered weren’t entirely his fault, nor was he the only murderer in those cases. And there I go defending the guy! You see what a good job Shin Sung Rok has done to convince me of this?!
In conclusion, I say you should definitely give this drama a try. If you aren’t mildly addicted by episode 2, then this probably isn’t the drama for you. Personally, I watched the first 17 episodes in one sitting before I realized I had spent the whole day watching kdramas. Not that I have any regrets about that. I have loved every second of this crazy crack drama. If you are looking for a serious, revenge drama…this is NOT the drama for you. Go watch City Hunter or maybe The Lookout. This drama is silly even when it is being serious. So come here if you are looking for your next dose of crazy!
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Revolutionary
I can't even put into words the importance of this drama not only to me as an aroace person but as a whole. I have never in main stream media seen an aroace character let alone two aroace characters explored and developed in such a beautiful and caring way. I could go into extensive detail on why this drama and representation is so important but the review would incredibly long so I'll try and keep it as short and sweet as possible.The issues and also the joy in finding your aroace identity and living as an aroace in such an amatonormative world was explored so well in this drama. The exploration of Takahashi touch aversion has left me speechless, the way they handled it with such care. I've never seen touch aversion explored in the way that Koisenu Futari did and I think it will stay with me forever. One particular scene, which I won't go into detail due to spoilers, left such a massive impression on me and I think that's thanks to Takahashi Issei's portrayal and acting within the scene.
Everyone behind this drama went into it with such care and they handled everything so beautifully. You can tell that with how they explore even the hardest parts of finding and accepting your indentity and the reactions of those closest to you. It was hard to watch at times but it was necessary to see because so many aroaces experience the things that we see both Sakuko and Takahashi go through or even fear that they will go through that. So to see the hardest parts shown the way that Koisenu Futari showed us makes you realise that you're not so alone in your experiences and fears as you think you are.
What I loved about this drama the most was how I could see my own story reflected in both Sakuko and Takahashi depending on where in my aroace journey I was. I'm so grateful that this drama exists. Thank you to the writers, to the actors, to the producers, to everyone behind this drama for giving us this drama, for wanting to explore such an unrepresented identity and to do it with such love and care. This drama will stay with me forever.
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This review may contain spoilers
I had a lot of fun watching this "highly entertaining, very different from the norm" drama. It has a very real human story within a fantastical framework. It was entertaining and thought provoking throughout its run.The actors had great chemistry, the music was very fitting and the cinematography was wonderful. It is not your typical love story. It is not a rom-com. It isn't really comparable to other dramas that have recently aired. The writer and director of this drama stand out in a spectacular way.
For the writer's part: So Hyun Kyung told a very good story with twists and turns and a movable plot that kept you watching. Just when you think the story is moving in one direction it does a little flip and takes you on another, unexpected path. The themes of 49 Days are love, forgiveness, family, death and learning to truly live. It is a beautiful story.
For the director's part: He kept the plot moving and stayed true to the writer's vision. The camera work was very well done and I love when the lighting and the shots are part of the action and mean everything to how the story is told.
There are plenty of light moments but this show was never meant to be a comedy. I have seen comparisons to other more comedic shows and I feel that is doing this show an injustice. It's been a long time since I've watched a drama where the plot was so evenly paced and well planned out. Even though that plan may have taken me in places I didn't expect and were not the norm for a Kdrama.
It is easy to stick with this show and sometimes you will be on the edge of your seat wondering what will happen to the characters you have grown to love. (Han Kang! I adore you) I was satisfied with the ending. I was impressed and pleased with the story I was told. I recommend 49 Days highly.
If you haven't seen it, try not to read the spoilers!
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HiraKiyo Eternal !!!
For disclaimers, I am not a fluent Japanese speaker, but simply someone who understands a level of Japanese to understand the context and translate contents sometimes, so I might have gotten some details slightly wrong. I fell in love with Season 1 first after it aired, and went on to listen to the drama CDs.The movie essentially focuses on 3 conflicts. One, HiraKiyo has to go apartment hunting after Naho and Tomoya prepare to move back to the house the couple is currently staying in. Two, Hira prepares to graduate from university and enter the adult world. He's chasing after Kiyoi who seems to be walking a step ahead by starting work earlier, and loses his confidence to shoot Kiyoi beautifully after seeing Noguchi's work. Third, Anna and Kiriya's story, which Kiyoi finds himself tied up in. This movie overall, focuses on Hira's growth as a character.
HiraKiyo does feel more like a couple who has dated for a while here, compared to Season 2, from their domestic acts to ways of showing affection. HiraKiyo has learnt from their past in the previous two drama series and have grown a lot in terms of intimacy. Kiyoi is a lot more direct with his affection and doesn't hide behind his tsundere ways, and Hira takes a bit more initiative this time. Hira does still idolise Kiyoi by calling him a "king" and himself a "fan", but the "God" nickname and treatment (in the extreme end at least) has stopped. I do think that compared to the drama seasons, there's nothing people will be able to call "toxic" and in a sense, I think they are turning into a more "normal" couple (or as normal as they can be with HiraKiyo lol) like what Kiyoi wants without Hira's extreme worship and Kiyoi's tsundere manners.
Noguchi was definitely the MVP here. He's the only one apart from Kiyoi who really understands Hira, so he's the only one to truly get through Hira's brain and see through what Hira is trying to deny. It's because of him that Hira can grow as a character. I think most of the important scenes with him were kept so everyone can also feel how important he is when they watch the movie. Also just a note for the Koyama fans who didn't read the original work, he only has two relatively quick scenes.
I absolutely loved how the soundtracks and flashbacks to Season 1 and 2 were used throughout. They're both effective in bringing nostalgia to fans of the drama series, as well as to provide context for those who only watched the movie. The soundtracks, paired with the beautiful cinematography, gives you goosebumps no matter what scene it is. Bitter was also unexpectedly used in the climatic scene, which I think was really smart of the crew, considering how well the lyrics and Hira's emotions there paired together. My favourite soundtrack of the movie would be "Time to Forget Myself" (恍惚の時間), as it's used in a particularly gorgeous and touching scene (both in terms of the movie and behind the camera since Riku is the one holding the camera there) with little words.
Considering how the movie was 103mins long, I think they managed to include all the important scenes from Nikurashii Kare, rearrange the scenes and make everything flow well. Having known the novel plot, I do think there were some scenes I would have liked to see in the movie or preferred the novel version, but watching the movie as it is was amazing nonetheless. I'm also glad they scrapped certain parts from the novel and rewrote it. Something I want to point out though, is that I feel fans of the original work should probably try to judge the movie as a separate entity rather than compare it to the original novel.
The side characters (notably Anna and Shitara) and Kiyoi's own more minor storyline (since the main focus in the book for Hira's) as an actor were definitely more developed in the novel, but having their scenes cut didn't really make anything feel like it was 'lacking' while watching, at least to me. Such scenes would perhaps have added more depth, but I do think, after all, there's only so much you can squeeze into less than 2 hours of a film, compared to a whole novel. So, I would think it's more important to focus on HiraKiyo as a relationship during that limited duration.
In terms of acting, I've always thought Riku and Yusei were impressive as actors but they genuinely outdid themselves here. Their chemistry has always been amazing, for if you know these two outside of Utsukushii Kare at all, you'll know they're extremely close friends as well. Both of their facial expressions just screams HiraKiyo's love for each other while somehow still showing its subtle complexities. Their range of emotions, with Riku showing Hira's devotion, insecurities, possessiveness, etc and Yusei showing Kiyoi's "ore-sama" side, adoration, hurt, etc, is just insane. There have been multiple directors going to watch the movie, so I do hope they take a liking on RikuYuse's chemistry and acting skills, and somehow pair them up again in a vastly different show. I would love to see them co-star again, as the two have also mentioned wanting as well.
Of course, the supporting actors were amazing too. I especially wanted to point out Nimura Sawa and Ochiai Motoki's facial expressions and the way they delivered their lines. I can't point out which scenes in particular made me feel this in particular without giving out major spoilers, but they were absolutely great. The entire casting was perfect. I wouldn't be able to imagine anyone else in the current roles they're playing.
The movie, like what I believe many Utsukare fans feel for Season 1 and Season 2, is very rewatchable. Heck, if a fan can go to the cinema and watch the movie 53 times within 2 weeks of the movie showing, I don't see how it's not rewatchable. The staff put in so much thought into each design, be it regarding the set, costume or story (e.g. https://bit.ly/3qMBLeT), and the actors outdid themselves in playing their characters as well as they did. There's just so many little details to catch, from both the background in each scene, to the acting and story.
My bit of criticism though (even though it didn't really affect my experience with the movie), is that I wish that they could have shown how they resolved the conflict better. To me, it just felt like after the incident with Shitara, everything was just resolved? I didn't expect the Hira's confidence issue to necessarily be fixed, since that is who he is, but it did feel like a spur of the moment thing, both when he promised to stay by Kiyoi's side because of the impact of the incident on HiraKiyo, and when he took Kiyoi's pictures. I guess they could have talked it out after Hira returned home like they had planned to before Shitara happened, but it's never shown so it's kind of left as a '?' for me. I don't really remember whether the self-confidence part was in the novel, so this could either be me criticising the novel and the movie adapting it as it is, or the movie itself.
Still, it's also because of this that I want to see more from Utsukare. The movie ending was good, but there's still slightly more content I want to see, notably Kiyoi releasing a photobook with Hira's name on it beside his as his photographer, and Kiyoi's growth as an actor. I don't really expect a new drama series season (despite how welcome that would be) nor having Nayamashii Kare adapted as well (which would be especially hard to adapt knowing the main plot), but a drama special would be nice...
What I can conclude though is, if you love HiraKiyo solely because they are HiraKiyo, you'd absolutely love the movie. Or even if you don't know HiraKiyo at all, this will be a lovely story to witness of two people who are so different, but somehow love and understand each other better than anyone else and will always return to each other.
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it was not a love story
How shall I put it?Everyone who has ever experienced grief in their life will relate to Mitchan narration. Main characters will take you through all the grief phases again. From the desire to spend a little bit more time together with your loved one who is not here anymore, when even one extra minute would be a the most desirable gift during your grieving journey; to being angry with the person who left, why they did it to you, how could they leave and let you be here all by yourself. But Mitchan got extremely lucky. He had a chance to experience parts of his grief, denial, huge love, hate together with the one who had to leave - Koichi. Does it make you jealous too?
Why we got so involved in such unrealistic story?
We all know - death is a final stop. But all of us secretly hope to be mistaken. And Eternal Yesterday gives us such opportunity to have a hope. Maybe one day it’s all gonna be a lie, and our loved ones will be here with us even though their hearts don’t work anymore. Eventually, it’s a beautiful metaphor - people you love aren’t truly dead until they are alive in your memory.
Name:
Eternal Yesterday - that’s how it feels to be disconnected from the real world after loosing the one you loved the most. Now you live only in the past when they were here with you. The smell of their perfume on the passing by stranger now feels like a knife directly in your heart. Their old t-shirt that you accidentally found in your wardrobe can bring all the memories back, and here you are sitting and reminiscing about old days on the floor in your bedroom again. You are re-living your yesterday, because tomorrow isn’t promising anymore without them.
Actors:
Fantastic fantastic fantastic cast. Both main actors did incredible job! Mitchan character grew and developed so well. And separate kudos for Koichi’s perspective in the end. All his actions and all his “sorry-s” made sense. Actors truly lived Mitchan’s and Koichi’s lifes.
Summary:
It was not a love story, it was one very special story about grief and precious time. Even though grief is inseparable from love.
I will definitely re-watch those series again and again. They are so heartbreaking, but yet so heartwarming. Our life is this special because it has an end, and Eternal Yesterday is our friendly reminder. Kiss, love, hug, express your feelings right now, because your perfect time may never come and unfortunately you won’t be given the same gift as Mitchan got.
And for all in grief - your pain will never go away, nor time will heal it. You will learn to co-exist with it and will learn to smile and love again. It was a beautiful message in the end.
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Authentic Portrayal Of Asperger's
As someone who who has been diagnosed with Asperger's herself and as a mother of a son who is diagnosed the same I felt compelled to write a review for this drama. Tang Jung Sang is simply amazing and very authentic in the part of Gu Ru. I cannot stress that enough. Some people might try to disagree with me, but you have to understand, we all have different traits that manifest. Though I, as a female Aspie am totally different than Gu Ru, I still could relate to many traits that the character had and how they were acted out. My son is a lot more similar, though not as extreme, but he also has had professional therapy and has been raised by a mother who is also an Aspie. In the drama, it is shown that Gu Ru's father was the one who worked with him throughout his life, so of course he would still have many issues, though his father did such a a wonderful job just by accepting him and loving him for he is and teaching him. Honestly, the simple teachings his father gave to him were so very similar to how I have taught my son. His father was not autistic but still. He just knew how to get through to Gu Ru in such a patient, loving way. I mean, it is such a simple approach, how he shown doing things, but it is always the *right* way. That is exactly how parents of autistic children should communicate. I saw so many traits, however, that my son had when younger, before the years of therapy began. (Not ABA. I just want to make that clear before anyone jumps on me. I am talking social skills.) For instance, as a child, my son, like Gu Ru, would talk robotically and stim much more when overwhelmed. Also, he still walks very stiffly and won't make eye contact at all.Another thing that I must point out is very authentic is his ability to memorize what he sees. In my case, I cannot in the way he does, but I can memorize an accent if I hear it once and determine where the person speaking is from. My son can memorize languages and mathmatical concepts. Again, our traits, while similar, can manifest differently.
A number of shows and dramas have been coming out lately that make autism the focal point. I haven't seen all of them, but Move To Heaven nails it. I can also vouch because even though I have explained my and my son's differences to Gu Ru, I know quite a few just like him. In fact, while watching, it is easy to think Tang Jung Sang actually has Asperger's, he is that good at acting it out.
Anyway, on to the rest.
The story is heartwrenching in so many ways, but deeply moving. The main focus is actually the relationship between Gu Ru and his long lost uncle. His uncle appears like a selfish, uncaring slob, but as the story progresses, we get to understand him more and see his heart soften for his nephew. As usual, Lee Je Hoon is excellent. He is such a great actor. He can show a range of emotions and also, just like in Taxi Driver, he kicks butt in fighting scenes.
I give this drama a 9 because it is wonderful, beautiful and doesn't screw up showing autism. I would have given it a 10 but I was kind of hoping for a certain plot twist and it didn't happen. Lol (What did happen was still good, I just really wanted the other thing. Haha!) Also, it left off with something like...not a cliffhanger but something you are left waiting to see what and if anything happens there. It was totally on purpose as an opening for a possible second season on Netflix, I just hate it when they do that when nothing is confirmed. Don't leave peeps hanging! I do hope there is a Season 2. I will watch if there is.
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I understand why people are upset by this movie!But I don’t agree!
Here’s the thing. They didn’t have any sexual feeling for each other in the second half of the movie. They died together so they could be reincarnated “together” so there would be no age gap and hopeful no gender gap either! Phop is gay that is why he and his wife didn’t have any kids there was no sexual love there only the love of friends. He never saw liu sexually he just saw dew in her body! You could tell by the way he looked at her there was never desire is his eyes only guilt, longing, and happiness! I think it was a beautiful ending! There was never going to happiness for them in this life so they chose the next! Your look at the movie wrong. Liu already knew and proved that rebirth and reincarnation were real and Phop proved that they could find each other even in different bodies, so they had nothing left to lose! Remember they are Thai which most are Buddhist not Christian. Suicide doesn’t have the same consequences in Buddhism. Focus on the LOVE in this movie not societies views on what is right and what is wrong. That’s exactly what broke them apart in the first half of the movie!
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This review may contain spoilers
The amount of hate that this drama is receiving is astounding to me because in my opinion this has been a stand-out drama among many other dramas that were considered vastly popular this year including Suspicious Partner, Strong Woman Do Bong Soon, and others. The other reviews on this site seem to be incoherent and sort of click-bait so I will try to be as analytical and straightforward as I can with my review. My overall thought is that this is a drama that is great to watch once and feel good about the romance, the justice system and the characters.Disclaimer: I am not a Lee Jong Suk or Suzy fanboy (or many other actors to begin with) so I have no personal feelings for any of the actors.
Disclaimer 2: I value storyline/plot and character/character development extremely highly and far above music which is also above replay value, but I will analyze each in their own category.
Storyline/Plot:
This plot is one of the most interesting yet not confounding plots (I’m looking at you ‘W’) that I have seen in a Korean drama in recent memory. Many recent dramas have been historical dramas that are trying to break the past tropes for a fresh feeling or are mundane/ “normal-life” struggles dramas that bring in new and ironically less “normal” characters. This is something different and interesting because it ties together two interesting aspects: fantasy which are essentially seeing the future through dreams and the justice system. Two aspects that are usually very different but through this drama are associated in a fresh way.
Now, onto the actual plot. I think the pacing was done superbly well and the inserts of flashbacks was well timed. My main complaint about the plot was that there were a few plot holes that were never truly covered. Firstly, why is Suzy able to see dreams about random people when the original idea was that whoever saves you will be who you dream about just like all the other characters? How did Suzy start dreaming to begin with? What is the motive for the detective to hide that he does not know Suzy and Lee Jong Suk? These issues are sort of touched upon but glossed over because there is no real answer to them.
Besides plot holes, everything about this was very good. There are people that complain that the flashbacks and past were not impactful enough but the contrast between past and present that the director/producer used was actually well done. I knew that the plot would be interesting and good when the first episode consisted of Suzy killing herself and Lee Jong Suk struggling with what he saw in his dream just as any other person. Secondly, I believe that one of the strongest points of the drama was the incorporation of the premise of the show into the romance and the melodrama portion. There are some dramas that try to be too many things at once and often fail at all of them or are unable to incorporate all of them. This drama does a superb job of incorporating the dreams into the romance, the justice system, everyday life and the conflicts as a whole.
Overall, one of the best plots done in recent history. This drama is logical (including the fantasy of dreaming of course) and also touches upon some key ideas in an interesting way. What do you do if you know the future? Can you change it? Is changing the future the right thing to do? Is the legal system perfect? Morality over personal interest? All decisions have consequences whether you like it or not. All of these aspects are intricately woven into a very well written plot that presents multiple themes throughout.
Characters:
I believe the true strength of the show was in characterization of not only Lee Jong Suk and Suzy but also of the many side characters. Firstly, I believe that characterization must be logical and follow some “set of rules.” What I mean by this is that some dramas have side characters that perform actions for no real reason or their characters exist with only one thought running through their head. However, each of these characters has their own motivations and thoughts which can be perceived just by thinking about it from their perspective and the drama was shot in such a way and with such good pacing that each character seems relatable. Before I talk about Suzy and Lee Jong Suk, I will talk about each of the side characters and give examples of what I mean. There are 3 “side characters” that I must highlight to show why characterization is so strong and important in this drama. I don’t want to touch upon the detective because there were plot holes that I discussed earlier that I am still unsure about.
Suzy’s mom is an eccentric woman but when you get down to her character she is a person that is devoted to her daughter and her daughter’s happiness is the core of her being like many other mothers. Would you want your daughter to date a man that could get her killed? How about giving her false hope or causing her pain? The rating of the men around her daughter is a personification of what mothers actually do. Every action by this character makes sense.
Lee Yoo Beom or the main villain is an intricate character whose end-game is truly highlighted in the last episode. A self-driven, greedy individual who presents a façade of intelligence but struggles to stick with his own morals when gain is in front. This character through flashbacks and actions by Lee Jong Suk is strongly characterized as someone that would take advantage of another person while maintaining that he was simply doing the logical and right thing. The most impactful seems were when he was in the bathroom washing his hands or loosening his tie and cufflinks. These are small things that show a much more in-depth character. The washing of the hands to symbolize washing himself of his guilt. Or loosening his clothing when he is doing things that are morally wrong to symbolize the loosening of his morals. Every action about this character makes sense especially being driven into a corner where he ends up making the decision to kill a person he said knew him better than his parents. Every action made sense.
Han Woo Tak. Many people love this character and for good reason because he is the charming and loyal second lead that many people are supposed to feel bad for due to his unrequited love. However, his actions also make sense. From the beginning Suzy shows no romantic interest in him and it is clear to anyone that Suzy and Lee Jong Suk were more than friends from early on in this drama. Many other second leads in other dramas would do anything to become the love interest including ruining friendships and ignoring the obvious truth. That is the beauty of this character. He knows how to look and read other people. Woo Tak makes decisions based off of other people while still maintaining his outstanding morals. He decides to value his friendship with both main characters over his own love. Many people experience unrequited love in their life and end up just being friends. Sacrificing everything for a love interest that clearly shows no affection back is a sign of terrible character that does not fit with his logical and morally sound characterization.
Lastly, our two main lead characters. Many people say Suzy is just a pretty actress. I would say that this is by far her best performance and she perfectly acted out her character. How do you act out an optimistic yet afraid girl that constantly dreams about other people dying or experiencing death yourself? Suzy perfectly acted out a quirky girl that tries to always keep a smile on her face and not let her fears get to her. This character is very complexly written because it touches upon an interesting aspect of human psych. How do humans deal with pain and tragedy and fear? Some people become depressed, while others hide it. Clearly Suzy’s character was hiding her fears at the beginning while it was also clearly controlling her life ie. short hair and quitting her job. This character indicates that when you hide pain it can be harmful and cause your character to be much more falsely optimistic or pessimistic at times. Her character makes sense.
Lee Jong Suk’s character is also very interesting. His character is someone that has bettered himself from the past but still maintains his resentment for certain things and events ie. regret about his father and hate for Lee Yoo Beom. Many people say that a plot hole in this drama is that for such a smart character he does nothing except rely on dreams and other characters’ help. I would argue this is very realistic. No matter how smart someone is there are obstacles that they can’t pass without help. Do you kill 7 people, or do you get the criminal? Suzy helps him think outside the box. If you believe every character should have all the answers that means you are watching some very poorly written dramas. Do you unleash your anger, or do you allow the legal system that you believe in to work? Lee Jong Suk is not a super hero and that is very clear from this drama. He clearly struggles with the same emotions and understanding that I our other logical viewers would reach. The last key example is that he knows his best friend Woo Tak loves his girlfriend, but he does not outwardly show it. Other dramas would result in him fighting his best friend or going out of his way to disturb their relationship. But his character’s ability to read other people and trust his friends shines through and he does not complete many of the actions other main characters would do.
Lastly, the chemistry. I would say it was okay and cute at times. I do not think it was as great as some viewers claim or as bad as others would say. It was simply a part of the story which I actually prefer. The romance was not overbearing and did not interfere with the story but instead was another key aspect of the story. Suzy and LJS love each other and would do anything for each other but that does not mean that they do or should. It was not the sizzling romance with smoldering eyes and hot kisses that many fans would hope for, but I honestly think this is more realistic. Love does not have to just be passion, it could be walking your girlfriend to work every morning or being jealous she is paying attention to another guy. It does not have to be star-crossed lovers with exaggerated lines that would die for each other at a moment’s notice. Even though there was a bit of that in this drama too.
Music:
I think this music was quite good. There were several songs that stood out to me including “When Night Falls” by Eddy Kim (which was probably the best song), “It’s You” by Henry (meh, I think the song fit but isn’t that great), “I Love You Boy” by Suzy (fits the drama very well and is also very good).
Rewatch value:
I rarely rewatch dramas but there were many good scenes and moments that you could rewatch for the aesthetics and the acting. I would say that of the recent dramas I would like to watch this drama again to think more about the other villains and the detective. They were all well written and correctly paced but I think I may have missed some key points.
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This is such a phenomenal drama, it is truly one of a kind. If you're left unsatisfied after finishing dramas, thinking to yourself if only the writers made better choices, or if only the characters were better developed … then you should give this drama a try. Everything about this drama is AMAZING; it has a mind-blowing screenplay with incredible characters, not to mention its great directing and cinematography. (the action in this drama is top-notch, and the war in the later episodes was impressive beyond imagination!)At First glance, this might look like another revenge drama, but it is much more than that. The goal of the main characters is not to infect pain and suffering on the ones who have done them wrong, and it's not to simply right the wrongs, but to do so while making the ones who've committed the wrong realize the gravity of their actions. In a sense, this is the hardest route to take for correcting what has been wronged, people don’t want to be reminded of their dark past, and even more to accept their faults. Nevertheless, the reason why I love this drama so much is exactly this, the main characters, although they’ve literally been through hell, are not out there for revenge nor to make themselves feel better, but they’re trying to reveal the truth.
The plot is complicated and very intelligently written. There are 54 episodes, but I have to say there is no dull moment. The story has many layers and builds up on its episodes, becoming more and more intense as the episodes go by; we watch the characters execute their plans and try to overcome all the foreseen and un-foreseen obstacles in the most magnificent way possible.
In my opinion there are two main characters, Mei Chang Su and Prince Jing.
Mei Chang Su is the most intelligent character that I’ve ever came across in a drama. For achieving his goals, he uses his knowledge to manipulate people to do exactly what he wants them to do, without them even realizing his involvement! Despite his ingenious and composed personality, he carries the deepest sadness inside him, and that is what gives him the greatest determination for concluding his goals.
Prince Jing is the moral barometer of the story. He is bold and true to himself, he values his loved ones more than anything, and he’s willing to do anything to protect them. That said, he would never go against his moral code, he is a constant reminder for Mei Chang Su (and us the audience) that they should never be untrue to themselves. His bold and strong character attracts capable people to him enabling him to have true leadership characteristic.
This duo is the best I’ve ever seen anywhere, their relationship is so endearing to watch and their personalities compliment each other so well. Just having them both on screen was enough to make me give up everything I was planning to do for the rest of the day and give my undivided attention to this drama.
Another thing that I really like about this drama is that the other characters are all intelligent as well, which makes us understand why they were in power to begin with and why they’ve been successful so far. This point makes watching the main character manipulate these smart and sneaky characters much more enjoyable
This drama is for the intelligent, for the ones who are willing to sit through long conversations and enjoy putting the pieces of the puzzle together, for the ones who understand that sometimes no matter the cost one has to fight for what is right. (sorry for the long review! if you made it this far, that means you're interested!! give it a try, you won't be disappointed!)
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GLAD I CONTINUE TO WATCH TILL THE END!!
I get excited to know that one of my fave actress will be the female lead w/c is Xing Fei.I watch all her dramas and i can say all of them where good for me as i like light,sweet romcom dramas.As for the male lead i got curious of Hu Yitian since i havent watch any of his works. The 1-3 episode really caught my attention and made me look forward as to why the male lead acted that way towards Tang Xin..I got a lot of WHY's i really am happy i continue to watch until the end ( focus on the drama and avoid those reviews because we have different taste in liking a drama). There's no denial that Hu Yitian and Xing Fei's chemistry where one of the best ive seen ( ill call Xing Fei "Goddess of Handsome Male Leads")their chemistry is overflowing on and off screen. This drama is about "Healing each others psychological trauma". I love this drama because there is no annoying 2nd lead who chases the main leads,no break-ups, no annoying parents. This drama will teach you how to cope and treat sum1 whose having mental illness/trauma. Tang Xin and Shen Qing Yuan's love is the purest of all❤️ Both have so much respect to each other, help each other to overcome their fear and pushes one another to reach their dreams. I also love Tang Xin's brother who always support and protect her, Shen Qingyuans wingman,team mates and friends who helped him a lot on how to win over Tang Xin's love. The OST is really good too (i downloaded it already) the visuals are nice,the acting are on point.Thanks for giving me a lot of mixed emotions,i cried,giggle,laugh and feel the butterflies in my tummy with those sweet scenes? This drama & the couple become one of my favorite❤️❤️❤️ im really hoping for Hu Yitian to collab w/ Xing Fei again? planning on rewatching?Spread LOVE❤️
STAY SAFE?
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